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'The Knowledge' - a project for the 54th Venice Biennale, 2011
2 June -15 September, 2011, 10am -6pm daily except Mondays
The Gervasuti Foundation, Fondamenta S.Ana, Via Garibaldi , Castello 995, 30122 Venice, Nearest Vaporetto stop Giardini
Participating Artists: Shih Chieh Huang, Tim Brennan, Mat Chivers, Nancy Fouts, Conrad Shawcross, Chiharu Shiota.
Curator - James Putnam, Assistant Curator Eiko Honda
The participating artists have created a series of dynamic sit-specific installation and pefrormance works that reflect the current tendency to link artistic practice with scientific principles. Nowadays scientific knowledge is regarded as empirical and statistical in character, which stands in direct contrast to its older metaphysical aspects. In the 17th century enquiries into nature were referred to both as 'natural philosophy' and 'natural science'- the term scientia derives the word 'science', meaning 'knowledge'. The origin of knowledge is wonder while both art and science have had common beginnings being united by the feeling of wonder they evoke.'The Knowledge' aims to stimulate curiosity in the viewer and includes works that play on our attraction to the wondrous and our inherent curiosity about how things work.
LINK: http://www.gervasutifoundation.com
http://www.youtube.com/watch?v=tl18VRguyJY
(Tim Brennan performance)
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'Memory of Books' – Chiharu Shiota - Venice Biennale, 2011
2 June -15 September, 2011, 10am -6pm daily except Mondays
The Gervasuti Foundation, Fondamenta S.Ana, Via Garibaldi , Castello 995, 30122 Venice, Nearest Vaporetto stop Giardini
Chiharu Shiota has created an evocative installation by suspending countless strands of black wool from the walls, floors and ceilings of the space.This giant web through which visitors must find their way, envelops the hundreds of books that Shiota found stored there as part of the Foudation's library. It criss-crosses the space forming a visible network that connects a simple reading table and chair, arrangements of books and loose pages, together with the surrounding room. Memory is essentially the retention of accumulated knowledge in this case symbolized by the books, the information they contain and the lives of their past readers.
Links:http://www.chiharu-shiota.com
http://www.haunchofvenison.com/en/#page=home.artists.chiharu_shiota |
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'Tim Noble & Sue Webster Present Bo Ningen' -Performing Live for the opening of 'The Knowledge',at the Venice Biennale, 2011
Specially created animation by Tim Noble and Sue Webster with assistance from Scarlett Carlos Clarke to accompany live perfomance by experimental Japanese band Bo Ningen
1 June 2011
LINKS:
http://www.youtube.com/watch?v=GLL1_YT1QDU
http://www.timnobleandsuewebster.com
http://www.stolenrecordings.co.uk/artists/bo_ningen.html |
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'Wonderland' – New Art from London, 2010
'Wonderland' features works by 15 London based artists at the innovative Assab One project space in Milan. Wonder is one of the most fundamental aspects of aesthetic experience. It relates to the powers of thought, feeling, imagination and creativity. As the title suggests this show is intended to evoke a magical realm that proclaims a universe of fertile imaginative possibilities. Wonderment generates an enlarged perception, a freshness of feeling and a general aura of optimism.
Participating Artists: Alice Anderson, Sam Buxton, Oliver Clegg, Shezad Dawood, Nancy Fouts, Tom Gallant, Stephane Graff, Henry Hudson, Bridget Hugo, Alastair Mackie, Polly Morgan, Boo Saville, Martin Sexton, Jamie Shovlin, Hugo Wilson
27 March - 14 May, 2010
Assab One , Via Assab 1, 20132, Milano tel. +39 02 28288546
Links:-http://www.assab-one.org
Exibart.tv - report / WONDERLAND | Assab One, Milano |
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Luftskipet' - a project for Fjell, (nr. Bergen) Norway, 2010
The inaugural exhibition for Luftskipet, a mobile contemporary art gallery designed by Magne Wiggen of MMW Architects
10 April, 2010
LINKS http://www.mmw.no
http://www.luftskipet.net
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Miroslaw Balka - The Freud Museum/White Cube Gallery
Date TBA
"Contemporary time does not exist, we cannot catch the continuous. As we move ever into the future we are always based in the past. This is the state of my sculpture, there is heat from this pillow, and its impossible to catch, this continuous flow. As soon as you touch it, it's colder than it was at its source. Everything we touch is coming from the past, it's our access to death. For me the important thing in art is to try to catch that consciousness of life." Miroslaw Balka lives and works in Poland and has exhibited in numerous solo and group exhibitions internationally.
Link:-
http://www.whitecube.com/artists/balka/ |
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